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Whenever the
name of Carsten 'Lizard' Schulz is connected to a project you know we at
the Mayfair Mall will sit up a take notice, and when we heard he was
getting together with Roger Staffelbach for his Angel Of Eden project
the interest rapidly increased. Add in to the mix Carsten’s
powerhouse drummer from Evidence One Rami Ali and the incredible
keyboard skills of Mistheria, then your really talking star quality, and
that's exactly what Staffelbach was hoping to achieve with this his new
band. It's been 10 years in coming but finally he's got a band of
his own in the form of 'Angel Of Eden', and what a band!
This mix of
melodic power metal with neoclassical elements all go to make for one
hell of an album. Right from the opener and title track 'The
End Of Never', the album unleashes not only Schulz's fine vocals, but
also the thunderous drum skills of Ali against Staffelbach’s trademark
guitar sound and the almost spellbinding keyboards. This monster
is some of Schulz’s heaviest material to date, but the power of the
vocals are equal to the metal onslaught.
The album
continues with ‘Dreamchaser’ a track that is not as savage an attack
as the opener but is equally as impressive, from the atmospheric opening
which makes way for Staffelbach to shred like a demon and the rhythm
section which all go to make this another full on metal delight.
'Angel Of
Eden' is next and the pace is brought down just a touch on this one.
Again the guitar work of Staffelbach is superb and with Schulz you know
you're going to get a vocal performance that is second to none.
The first part
of the ‘Return Of The Pharaoh Pt. I’ just lifts the album to another
level of excellence. This track epitomizes the whole Power
Metal genre with its epic style and flamboyant riffs laid down by
Steffelbach, backed by a hard core rhythm section and keyboards that lay
waste to this instrumental masterpiece.
'The Battle Of
1386' finds Schulz taking a back seat on the vocal front as none other
than the mighty John West takes up the mike for this particular song.
A song so real you can almost smell the gunpowder on this very
atmospheric piece.
Schulz returns
to the fold with another powerful performance on ‘Into The Black’.
This song features more thunderous drums courtesy of Ali with both
Staffelbach and Misteria running riot with the solos throughout this
one.
Then it's back
to the instrumentals with ‘Return Of The Pharaoh Pt. II’, with
Staffelbach once again showing off his exquisite skills with the six
string.
Next it's back
to some more melodic metal with one of my favourite tracks ‘Keys To
Avalon’, where Schulz leads the way for Staffelbach and the rest of
the band to ignite the speakers with this all round excellent band
performance.
'Stampede' is
just that, it's like a herd of charging pachyderms. The drums of
Ali pounding out the beat as Staffelbach and Misteria burn up the keys
and fret boards, leaving only Schulz to fill the gaps with his sheer
powerful vocals.
The album
finishes with the final of the three instrumentals ‘Towards The
Light’, which again shows off Staffelbach’s superb fretwork and
rounds off this breathtaking debut to true style. This is just
what Staffelback's fans have been waiting for and is a release that is
sure to win over a whole new set of fans of this guitarist with magical
fingers and a passion for his music. As someone with a liking for
good, strong power metal with lots of melody and textures this release
has left me wanting more and I'm sure you'll feel the same when you hear
it too.
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