|
Hot out of
Switzerland come Appearance of Nothing. The band formally know as No
Thanx return with an album that will rock all those Symphonic Metallers
out there with their mix of traditional metal guitars, soaring keyboards
and orchestral mixes, along with the haunting vocals of front man and
founding member Pat Gerber. Also thrown into the mix are the
contrasting second vocals of bassist Omar Cuna, which make for a very
interesting musical experience.
The album opens
up with ‘Man In The Mirror’, this song really give you a feel of the whole
Appearance Of Nothing sound, with Gerber’s Roger Waters style vocals and
the thumping rhythm section Yves Luthi on drums and Omar Cuma’s bass, both
making their presence felt from the off, together with a stpmping mid
section that is straight out of Dream Theater’s repertoire.
The band have a
very unique take on the Symphonic Metal sound as the album continues to
prove with the majestic ‘The Gambler’, which once again has echoes of
Floyd. Only this time the added angst of Cuna’s more metal vocals,
along with the Melodic tones of Gerber’s own vocal style, these two very
different styles actually work really well and give a great mix of both
the light and the dark shades of metal.
This very
versatile style the band have really makes for a great album as it
continues with ‘Drifting Away’, a more sedate song with an almost folkish
feel to it. Very Jethro Tull in parts but without the flute.
Then as the song reaches its climax the power of the bass and drums take
over, along with a great soaring keyboard section that leads into the
soaring guitars of Gerber and Peter Berger.
‘Wasted Time’ is
another thunderous slice of Symphonic Metal as the bass and drum intro
fade out, the towering guitars and keyboards intervene before the bass and
drums take over yet again and so the mix continues with the vocals of
Gerber and Cuna the catalyst that makes it all work so beautifully.
But the band
aren’t all about the rampaging metal theme, they do have a more gentler
side as the ballad ‘Wrapped In Silence’ shows so well. This one
hints at shades of Pink Floyd’s ‘Dark Side Of The Moon’ for sure.
It's back to the
more powerful material with ‘Lies Of A Memory’ before the epic three
parter ‘The Science Of Light’. Part one entitled ‘Into The Light’ is
an all out insurgence of powerful bass and drums infused with haunting
keyboard flurries, with the final section being completed with the guitars
of Gerber and Berber, which add to the splendour of the piece. Then
it’s the powerful ‘Out Of The Dark’ with Gerber’s vocals setting the tone
with that sombre almost choral feel, with the more gruff vocal of Cuna
adding that darker edge and the more futuristic keyboards of Marc
Petralito adding an extra dimension to proceedings. Again there's
visions of Dream Theater in there with the added newscast snippets.
The final piece of this 14-minute epic is the ‘Reprise’, a great finale to
the piece with the rampaging guitars and heavier rhythm section.
The final track
on this quite superb album is called funnily enough ‘The Last Song’.
A gentle more reflective piece that again shows the band have a gentler
side and rounds off a really great album, that will surely see the band
get the recognition they so dearly deserve. |
unless otherwise stated.
