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It
must always be a nail biting time for an artist when they release their
first solo album after being within the comfort zone of a band. Hopes of
honest, yet good reviews will only settle the nerves, so with his debut,
Sven Larsson takes a break from the bands Galleon, Xinema and Street
Talk and faces the music on is own two feet.
Being mainly
known as a guitar player, he may surprise a few people as he does have a
good set of pipes on him too. First track 'Sunlight And Shadows'
shows his talents on both fronts, the guitar solos quite majestic when
in full flow, and vocally, AOR is where his home is. He has a
mellow, yet still powerful enough voice to sail through these songs with
ultimate ease.
If proof was
needed again, 'Eagle' is perfect vehicle for him, slow to begin with
before building up to a crescendo on guitar again, his voice not going
anywhere beyond slightly raised. The same can be said on 'This Is
Not The Right Time' because listening to it is like being wrapped in
your favourite blanket, in front of a fire with a glass of wine, all
mixed together ... so cosy and dreamy you want the feeling to last.
It's one of three ballads to
be shown here, along with the very laid back 'Fly On BY', with keyboards
by Fredrik Bergh floating all over the song, with some neat touches on
the wah-wah pedal for that extra chilled vibe.
The final one is 'It's
Over', a touching song of lost moments between people that I'm sure will
strike a chord for the average person out there, Larsson sounding so
sincere you'd think he was in the same boat. You can tell in an
instant who's the main influence behind 'Daydreamer', in fact you'd
think it was the group itself, STEELY DAN!!
My god, 'Reeling In The
Years' part II to be exact, the guitar work just about lifted from that
track and placed, here the main riff is so close.
Still, it's the jazzy drumbeat by Christian Johansson that leaps out
midway through the track where he has his moment to shine.
After
Larsson showboats on the instrumental 'Tube', and yes, he's good, the
trio pull no punches on the straight to the point 'Bastard'.
The title
stands out like a beacon from the others, but musically the melodic tone
is no more different from them. If you were expecting a raunch
fest, there's plenty of big guitar hooks but nothing to mosh to!
Keeping that in mind. 'I'll Turn My Back' does get those juices
flowing slightly, but its more blues rock than all out heavy, sort of a
Sammy Hagar era Van Halen meets Glen Kaiser moment.
First
impressions usually last, so on 'The Neighbour' you get what the story
is about as things move along. It is quite revealing, true to life
experience that's being told, and all the fancy guitars can't hide the
fact what Larsson is singing about, but you'll have to listen to the
song to find out exactly what the subject is, I'm not going to spoil it.
Ending the
album on a prog-cum-fusion rock track, the instrumental 'Candy' has
Larsson sounding as if he's taking a bit of a wobbler due to his roars
and screams. Weird but kinda cool!
You couldn't
ask for a more clever, easy listening and just plain old good album to
have to review, though I wasn't too sure on first listening I have to
say. Still I raise my hat to Sven Larsson and say ... "Stop
chewing those nails now, you've got a good one here mate, and I hope
this review is OK for you!!".
Review
by: Bob
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