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When it comes to the words
"rock"
and "icon",
they seem to have been etched on the career of Alice Cooper,
who has been around since the early 70’s with his shock theatrical rock n'
roll. The
stage sets these days may have been tamed down but Alice has never had to
reinvent himself and go with trends,
such is the vast popularity of the man and his music.
Along with Alice these
sentiments could also be assigned to Lemmy Kilmister of Motorhead and with
these two giants on the same bill,
the pair have over 60
years
in this business and such a wealth of talent hasn’t been on this stage
since the opening. Tonight
they bring Joan Jett
to the fold, a rock n' roll lady
who herself has been in the business since her early teens.
So the stage is set
to what is sure to be a night of no holds barred rock and metal.
We arrived at the venue and
Joan Jett and her band were already well into their set.
We found our seats
just
as the band were about to
rip into ‘Riddles’
this sleazy ridden rocker was just superb as Jett’s vocals rang around the
arena with such power that I was taken aback.
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The sleazy rock kept coming
with ‘Fetish’
a song included on
from her latest album
'Sinner' but which was also the title
track from here 1999 'Fetish' release.
With its thumping bass
lines
anyone who hasn’t
already
got this new album I highly
recommend it to you as
it’s a great return to form
from the girl from Maryland.
Then it was
time
for
the ultimate Jett anthem, the
classic
‘I Love Rock N'
Roll’,
which really got the already excited crowd buzzin’.
For many this is the
one that really got them into Jett long after her Runaways material.
Next up was the classic
‘Crimson and Clover’,
a song that starts off deceptively slow but soon builds the sleazy dirty
rock that you’d expect from Joan.
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The set was closed with
another slice of classic Blackhearts ‘I Hate Myself For Loving You’,
which got the same stamp of approval
that 'I
Love Rock N'
Roll'
did with the crowd clapping along.
This was a great way
to open up the night,
I just wish I had been there from the beginning so I could have captured
the whole show. Let's
hope we see a head line tour from Jett in the not too distant future
because I’ll be there for sure
because this rock n' roll vixen sure kicked up a storm here tonight.
Next up tonight are a band
that need no introduction
Motorhead led by the incomparable Lemmy who gets things underway with
"WE
ARE MOTORHEAD AND WE PLAY ROCK N'
ROLL!!!"
and they immediately pumped the volume up to the max with ‘Dr Rock’.
As the vibrations
rang around the room from this Heavy Metal onslaught,
you weren’t given a chance to wipe away the blood from your ears as the
band went straight into a classic slice of Head ‘Stay Clean’,
with Lemmy’s vocals their usual Jack soaked gruffness.
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It was time to slow down the
pace a touch, (I
say slow down,
I mean from 100mph to 90mph) with ‘Be My Baby’ then it was back to full
throttle for ‘Killers’, during
which Kilminster
asked for more volume (!)
and more we got.
So much so that even the
seats started to vibrate
violently
as the PA was sent into
overdrive for ’Metropolis’ and ’Over The Top’,
both oldies but goodies from the rock n'
roll baddies.
Next it
was time for Lemmy to show his more romantic side with ‘Love At First
Sight’. By
this time my ears had given up trying to deal with the volume.
The blood started to
clot and this acted as a earplugs,
so I continued to enjoy the sonic
assault.
The band gave us something
rather special tonight as they paid
tribute to the legend Phil Lynott with their
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rendition of the
Lizzy classic ‘Rosalie’,
which went down a storm. |
The band really turned up
the heat with Campbell and Dee reaching down deep for an
Shakespeare tribute!
‘In The Name Of Tragedy’,
the thumping ‘Just Cos
You Have The Power’
and the tongue and cheek ‘Going To Brazil’
Now it
was time to
strip the sound down to
minimum and a smaller drum kit was put on stage as the band went all C&W
on ‘Whorehouse
Blues’,
before the real meat and bones classic ‘Ace Of Spades’ rang out like the
rock n'
roll anthem that it is.
The set was capped by my all
time favourite Motorhead track the superb ‘Overkill’,
which ended another great show for Lemmy and boys.
"THEY WERE MOTORHEAD
AND THEY PLAYED ROCK N'
ROLL!!!" (very loudly I might
add!).
Now from one living legend
to another, his stage show might be a little more sedate
than his early years but the man
sure knows how to
captivate a crowd.
As
we see a silhouette of Alice in a top hat the crowd erupts
into cheers. Suddenly another Alice
appears and this time
the Alice of today slays
the other,
the curtain falls and all hell breaks loose as the show begins.
Alice
was joined tonight as
usual by
Eric Singer on drums
but
with
a
new touring band
consisting
of Keri Kelli and Jason Hook
on guitars and
Chuck Garric on bass.
Opening up with ‘It's
Hot Tonight’ before going straight into the all time classics ‘No More Mr
Nice Guy’,
which raised the bar before on of my favourite Alice tunes ‘Under My
Wheels’. That’s
the way to get the crowd buzzing from the onset.
From here on in it's
Alice who's calling the shots as he plays the crowd like a puppet master
able to pull all the right strings.
The classics just keep on
coming as ‘Eighteen’
echoes around the venue, then it's
time for something more recent but still as captivating ‘It's
My Body’ and ‘Woman of Mass Destruction’.
As Alice parades the stage
there's
a shout of "We're
Not Worthy!"
from behind me, never have
those words from Wayne's
World been so apt as the band go into ‘Dirty Diamonds’ with Alice throwing
out necklaces
in the crowd, with one hitting me on the shoulder I quickly recover it as a
memento of the night.
With Keri Kelli leaping
about all over the stage it's clear he’s really enjoying the Alice
experience as much at the rest of us.
‘Raped’ and Muscle of Love’
are next before they unleash the monster that is ‘Feed My Frankenstein’,
with Kerri and Hook trading licks on this one as the two duel it out.
There is only one
winner though,
the crowd,
as these
two young guns come out equals on this one.
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Before the theatrics start
it's time for ‘Halo’ another modern classic, but any Alice Cooper show
simply
wouldn’t be complete without
the
show theatrics as ‘Welcome To My Nightmare’
gets the ball rolling shortly followed by ‘Only Women Bleed’, which is when
we first see Alice's
daughter Calico enter the stage.
She gets just as big
a cheer as her father who is
currently being put
into a straight jacket. He
goes into Alice's
other persona ‘Steven’ as he breaks free from the shackles just in time
for Calico to walk on stage pushing a pram.
We all know what's
next, as Alice throws the mother to one side and peers into the pram,
takes
out the baby doll and
it's
‘Dead Babies’ followed by ‘Dwight Fry’. |
This is usually
when the guillotine appears on stage but tonight there is a twist as a
hangman's platform is
pushed on to the stage for ‘Devils/Killer/Dead’.
As Alice
is led up the steps by a hooded figure and ceremonially the noose is put
around his neck. As the
song comes to an end the trapdoor is opened and Alice drops like a stone.
As his body sways from side to side an almighty
cheer rings around the Arena,
the nightmare
ends and the gallows are
pushed back off
stage.
It's not long
before
the party gets going again,
as Kerri punches out the first few chords of
'Schools
Out’
the place erupts
once more. Balloons
are released into the crowd, at
one time they
contained blood but these
days it's
glittering confetti, but the crowds reaction
is still the same as Alice takes out his sword and bursts the balloons
above their heads.
The classics just keep on
coming at this point with ‘Billion Dollar Babies’ up next as Alice’s sword
is now a money kebab as he dishes out Alice Dollars.
'Poison' is probably Alice's
biggest hit and the one that put him back in the spotlight with the
'Trash'
album, so it's next.
It's not my favourite Cooper song (I’m more old school
Alice) but still it goes down a storm.
The show, I say show because with Alice
you always get a SHOW, the night is capped off with what else but ‘Elected’
with Alice donning the stars and stripes and the two politicians fighting
it out on stage is a joy to watch.
I swear if Alice went for President he’d get a mine and everyone here
tonight's
vote.
Yet again another great
show from the master showman
himself,
long may it continue. |