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Another
Friday night at Bradford Rio’s and
another two hour journey down the motorway to what has become a Mecca over
the last few years for some of the biggest names in 80’s rock to tread
Rio’s hallowed stage.
This will be the third time I’ve seen
Jizzy Pearl perform at Bradford over the past few years in one band or
another, so he should know where all the best curry houses in town by now.
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Opening up tonight’s show were
Rattlesnake Remedy, a band that I’ve heard a lot of good things about and
was looking forward to making my own mind up about them, and with
tonight’s performance I wasn’t disappointed.
The bands early stage time meant that the
venue wasn’t exactly swollen with the presence of punters, but give them
their due Rattlesnake Remedy gave it their all.
It was immediate from the off that the
band are a well rehearsed unit and performed some immaculate old school
hard rock. I was very impressed with the vocals of Lee Stone who’s voice
reminded me very much of Claus Lessmann of Bonfire with just a touch of
Bon Scott.
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The bands may have only been on stage for
a total of 25 minutes but they made the most of those few minutes for me
to want to check them out again. With songs like ‘Reach For The Line’,
‘Killing Time’, and the new singe ‘Drag You Down’ really making their mark
on me.
Next up were a band that I’ve been a fan
of for more years than I’d like to mention, well ever since I heard their
debut album really. So many years have passed and I still hadn’t
seen Zodiac Mindwarp live but tonight was the night.
I didn’t know what to expect from the
band but they certainly didn’t live up to my expectations as a band,
although certain individual performances made it worth the journey down,
notably guitarist Cobalt who just ripped up some monstrous riffs.
The years were just swept away as they swept though a set that started off
with ‘High Priest of Love’, which despite the poor vocals of Mr Manning,
it was still good to here live.
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The likes of ‘Back Seat Education’,
‘Spasm Gang’ and ‘Holy Gasoline’, all got the now assembled crowd into
a frenzy of activity, although it was ‘Prime Mover’ that got the
biggest crowd reaction and even got me singing along.
But the highlight of the set had to
be the guitar solo mid way through ‘The Rocker’ as Cobalt went into
the crowd and gave an awesome display of some outrageous fret work.
He even handed the guitar to Ben Bartlett of Rattlesnake Remedy to
show just what the young guns are made of, before returning to the
stage and playing the guitar behind his neck before continuing with
the rest of the song. |
This was pure
showmanship of the highest quality and something the young bands today
just don’t seem to do. |
Now to the main event Love Hate. After
the recent Addlers Appetite fiasco when Steven Addler sacked all the band
including Jizzy Pearl, it was great to hear that Jizzy had put Love Hate
back on the road, and as he walked on stage you could immediately tell by
his demeanour he meant business.
The band opened up with ‘Tranquilizer’,
which was quite apt because you would have had to been on Tranquillisers
not to appreciate the bands performance. Even new boy former Bang
Tango's Alex Grossi was in great form and did a sterling job on the lead
guitar.
But bass player Robbie Crane was having a
torrid time with his microphone and at one stage lost his temper and he
just kicked it into touch off the front of the stage and then used Jizzy’s
mike to sing backing vocals on for most of the set.
The set was full of Love Hate classics
and Jizzy’s vocals sounded as fresh now as they did all those years ago,
with the likes of ‘Rock Queen’, ‘Yuccaman’, ‘Spinning Wheel’ all sounding
great.
But it was the likes of ‘Do You Wanna Get
High’ and ‘Mary Jane’ that really got the crowd buzzing. Even the
inclusion of ‘Lies’, which was the only song off Jizzy’s latest release
'Vegas Must Die', was also met with equal delight by the crowd. |
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But the best was left for last with
the final four songs ‘Wasted In America’, 'Why Do You Think They Call
It Dope', ‘Angel’, and my personal favourite Love Hate song ‘Blackout
In The Red Room’.
A song that hailed the end to a very
impressive set and a very impressive performance by the band as a
whole, and one that made the journey home seem a whole lot sweeter. |
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