Artist: Dream Theater, Opeth

Venue:  Wembley Arena, London

Date: 10 October 2009  

Once a year me and my pals fancy a little trip away from Newcastle.  Last year we flew down to London to see Maiden at Twickenham, and what a jolly good time we had.  So this year we agreed to do it all again and see Dream Theater, a band we've kinda grown to love in the last year and a half, even more since they released their excellent, latest collection, 'Black Clouds And Silver Linings'.  This would also be the first time any of us had seen them live.
 
Next door to the arena the X-Factor 'talent' show was being filmed, and around the streets of Wembley before the gig rockers and pop fans mingled.  I think we made the right choice of gig in that respect .....
 
Unfortunately due to a bit of a mix up (ticket said that the bands were starting at 7.30......but it must have been 6.30) we were still in the pub during Bigelf and Unexpect's sets, so we eventually arrived at our seats (after buying merch and beer) around 7.50, part way into Opeth's set.
 
I was mightily impressed with Opeth.  Having been one of those bands that I'd listened to a bit and found to be OK, I had never really listened to any of their output in depth.  However since the gig that's changed.  Of the songs played tonight, most were the perfect showcase for their unique blend of light and shade.  The grunting, death metal vocals of singer Mikel Akerfeldt were the perfect contrast to the slow almost bleak, gentle parts of some of their tracks.  A couple of small mosh-pits broke out down on the arena floor, never lasting very long due to the stop-start nature of some of Opeth's songs.  Akerfeldt is also a warm frontman, stopping a few times to address the audience, sharing tales of groupies from past visits to London!  A great band and one that I hope pays a visit to the North East very soon!
 
So to the big daddies, the D.T., Dream Theater.
 
Kicking off with the amazing, sprawling 'A Nightmare to Remember', the 15 minute long opener from their new disc, Dream Theater had the crowd mesmerised with their amazing technical ability.  Drummer Mike Portnoy, sitting behind surely the biggest drum kit ever seen in this venue, almost ruled the stage.  Vocalist James LaBrie's voice was also as strong as ever.  Opeth's Mikel Akerfeldt even made a guest appearance during this track, returning to the stage to bark out Mike Portnoy's heavy vocal piece, to great applause!
 
The band then launched straight into their medley of 'The Mirror' and 'Lie' from their 1994 album, 'Awake'.  It was great to hear some of the older tracks played, 'Lie' in particular being a Metallica type cruncher, sounding even more fantastic in the live arena.
 
We were then treated to some keyboard wizardry from tinkler Jordan Rudess, and his cartoon alter ego on the big screen, during a monster keyboard solo, again showing off technical prog brilliance at its very best.
 
After the underrated and unexpected 'Prophets of War' from the 'Systematic Chaos 'album we were treated to what I will always remember this gig for-a mammoth drum-off featuring drummers from all 4 bands on the night on Portnoy's kit!  First joining him one by one for a jam, and then all 4 drummers at once, this was truly a spectacular moment.  Bet they weren't seeing THAT at the X-Factor!
 
After an electrifying performance of 'Wither', a fairly straightforward run through of the instrumental 'Dance of Eternity' and set-closer 'Take The Time', the band left the stage to a great ovation.  Back came the band for 'The Count of Tuscany', the last track off the latest album and also, quite possibly one of the greatest heavy metal tracks ever, in my opinion.  Beginning with a beautiful guitar piece from John Petrucci, the track built up to its sing-along chorus, before retreating back into its shell for the mid section, a glorious, swirling, almost euphoric Pink Floyd-esque trip, well over 5 minutes long.  A perfect song to finish on, how many bands can do one song as an encore that lasts 20 minutes?
 
A phenomenal gig that will live long in the memory. Can't wait to see them again.

Review by Dan Armstrong.

 

 

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