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Artist: Annihilator Venue: The Corporation, Sheffield Date: 15 November 2010 |
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| Having
remained a permanent fixture (as many older bands do) over in mainland
Europe for many years, Canadian thrash veterans Annihilator haven’t
enjoyed the same success over in the U.K but thankfully this hasn’t
deterred them from undertaking their first headline tour on these shores
for quite some time.
Despite
being a veteran of the game since 1984, Jeff Waters is still trying to
break down doors to get his music heard and you’ve got to admire him
for that, especially when at this stage in his career, he doesn’t have
to and the thrash faithful in the crowd tonight are all the better for
it. We haven’t seen Annihilator in the U.K. since they supported
Trivium back in 2007 and this is an altogether different, tighter and
more focused band. Then, they were touring an album (Metal)
that although was great, had numerous guest appearances as its main
selling point which was of course hard to replicate in a live setting
without said guests present. The tour did break new ground for them
however, so it’s a shame that it took three years to get them back
over for their own tour but it was worth the wait.
Of
course, old favourites like ‘W.T.Y.D’ are what the crowd are mostly
here for and ‘The Fun Palace’ proves to be an anthem that sadly never
was, and rounds off part one of the set quite nicely. Just before the
encore, the band unexpectedly treat us to a sit-down, acoustic performance
of ‘Phoenix Rising’ and ‘Sounds Good to Me’ before returning to
the stage to remind us that they haven’t gone soft and try to blow
everyone’s head off with old favourites ‘21’, ‘Phantasmagoria’
and (of course) ‘Alison Hell’. Giving the impression that he could go
on for another few hours at least, Waters takes a bow and says the
band’s goodbyes to a crowd begging for more but sadly, it’s not to be.
Fingers crossed that somebody from Download, Sonisphere or Bloodstock has
been paying attention to this tour and hopefully we’ll see Annihilator
include the U.K on the festival run next summer. Review by: Adam Grindrod |
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