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Artist: Uriah Heep & Virgil And The Accelerators Venue: 02 Academy, Newcastle Date: 12 December 2011 |
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In
the music business these days bands come and go like the seasons, some
not even lasting from one summer to the next, but when it comes to
longevity, there are only a handful of bands who have been going for
over 4 decades and only a small fraction of those are still producing
new albums and still touring hard. One of those band in that minority are the mighty Uriah Heep who are not only in their 42nd year as a band, but also have a new album to boot in 'Into The Wild', and to celebrate the new album, the band have taken to the road. Tonight we caught them on the last but one date of their mammoth European tour, that has seen the band on the road for the best part of two thirds of the year. But
before the main event tonight we are treated to the fantastic blues
guitar orientated rock of Virgil and the Accelerators. I only
managed to catch the back half of their set, but this is band that are
going to the "A Roads" on the blues rock scene if any of
tonight's set is anything to go by. If you could put the best
technical guitar players in the world together, then this is what
you’d get as main man Virgil whips up a storm mixing influences like
Hendrix, Santana, Stevie Ray Vaughan, Nugent, and Gary Moore into a blues
masterclass. I just wished we’d caught more of their set, but
maybe next time.
Now
it was time for Box to pick up the acoustic guitar for a quick solo,
before leading the band into the apt ‘Wizard’, with Box conjuring up
some stirring stuff on the old six string. It
was back to the new album once more for the title track ‘Into The
Wild’ and the band rocked it up big style with this one, with Shaw
leading the pack on this song. A quick swig of Newcastle Brown and
it was back to the classics with one of my and many favourite Uriah Heep
songs, the stunning ‘Gypsy’, which was started off as always by the
soaring keys of Lanzon. The powerful back-beat of Gilbrook joined
by the thumping bass lines of Bolder and the stirring licks of Box,
meant the crowd were now at fever pitch, with every man, woman and child
singing along with Shaw on this majestic overture. A song that may
be over 40 years old, but still stands the test of time and ranks as one
the bands finest.
There
was no time to get our breath back as the band ripped straight into
‘Look At Yourself’, before bringing it down a touch with ‘July
Morning’, with Shaw taking a seat on the bass monitor of Bolder, as he
brought the gentle refrain to the masses. This was ten minutes of
pure ear candy.
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