MM - Firstly would you like to start by introducing the band to our
readers.
Daniel: We started out 95 and we have currently
released 5 albums. 'Afterglow', 'Into the Unknown', 'Waiting for the
Tide', 'A Work of Art' and 'Walking on H20'.
Our current members are Andreas Novak /
vocals, Johan Niemann / bass and guitars and me on Drums and keys. We play
music with progressive tendencies and we lean against the symphonic / cinematical music.
MM -
The new album
‘Walking on H20’ sees a change in the bands overall sound, was this
intentional or do you see this as a natural progression within the band?
Daniel: We started to make that change during our last album 'A Work
of Art', then I still played around with it in another release Xsavior 'Caleidoscope', and now I and the rest of the guys have come full circle
with the new album. Everything we do must come natural even though some
steps where kind of forced this is the most natural released ever by
Mind’s Eye and I think people can feel it.
MM -
What are you favourite
tracks from the new CD? If you had only one chance to turn people on to
Mind’s Eye, which song would you have them listen to, to get a feel for
what you guys are all about?
Daniel: Well there are allot of different choices depending on what
you like. If you you like Metal like songs then I would offer you 'Sacred
Rules', which is one of the heavier songs in the album. If you are into the
progressive style then I would have you listen to 'The Nazca Lines', and if
you want the instant hit song I would recommend 'A rabbit in the Hat'.
There are so many songs I like on this album it’s crazy, I think I love
them all and could never decide which is the best or worst. One thing is
for sure, when you listen to a Mind’s Eye song, any one of our songs, you
will feel us no matter what.
MM -
At what age did you
become interested in being a performer and what/who inspired you to join a
band?
Daniel: I started at the age of 16 to play drums. The
main reason why I started was the band Genesis and Phil Collins a man I
have great respect for. I remember listening to the 'Invisible Touch'
album with Genesis thinking: “from what planet are these guys from!!! AMAZING!!!” Others who inspired me later
on were John Williams and Alan Silvestri, who are both some of the most accomplished score music composers
on the face of the planet.
MM - There have been some
phenomenal concept rock albums over the past couple of years I think
‘Walking on H20’ is among them, does the band feel that this album can
stand the test of time?
Daniel: Yes, we do. I think we can at least look at a
bright future in front of us after having released this album. This
concept that we choose to write about will never get out of date and who
knows maybe in the future we all can walk on water and laugh about the
time when a small band called Mind’s Eye released an concept album about
the evolution of human kind.
MM -
Would you like to tell us a few thoughts or stories behind some of the
songs off the new album?
Daniel: Well,
The intro has what I really was looking for: “a cinematical style”, one
which I wanted to introduce with this album. The fact that one of Sweden’s
hottest group right now Crucified Barbara’s singer did the talking in the
intro, that's just great to me!
The story behind the next song 'A rabbit in the Hat' is about the Moon
landings and it asks the question “have we been to the moon?” The next
song is about the 9/11 and drops the veil on who is the real terrorist.
Another song which I feel has a strong political point of
view is the song 'Umbrellas under the Sun'. The lyrics really point out
that we all must do something to change our behaviour regarding the way we
treat this planet. The pollution must stop and it’s a big smack on the
governments face these lyrics. I still think we are doing way too little
about it.
Other songs I feel strongly about lyrically are 'Sacred
Rules' which takes up the lost arts of honour and respect and the song
'The Nazca Lines', which takes up what happens when we take over other
peoples countries with force, leaving them with almost nothing to build it
back with.
There are so many
songs other than these songs in the album doing magical stuff for the
listeners. What I can only say it’s that this is a personal trip and if
you buy the album you will know what I’m talking about.
MM -
Were you really
looking for a mixture of modern metal and classic influences when writing
songs, or did this just come out that way?
Daniel: I have been asked that question several times
and I still feel that music should come without a master plan, I certainly
didn’t have one before starting to write the songs. We play what the songs
need and then we see what kind of mood we want the production to have,
it’s an awful lot of work behind some of the instrumental playing but I
wouldn’t say anything more than that was planned.
Most of the songs came
out naturally and I’m really proud of that fact as most of the Mind’s Eye
fans would say that this is our best album up to date and therefore we
will continue work this way in the future.
MM - Are
there any plans to tour outside Sweden to promote the new album?
Daniel: None at the moment but I see a little tour
with a couple of other bands coming ahead. I’m not closing that door
instead I’m giving you a hint of that we might go on “Touring on H2O”. Keep checking the Mind’s Eye website for further info.
MM -
You took on the task of
writing, producing and recording the album yourself, do you think this
gave the band more control of the overall content of album?
Daniel: We have never used a producer in Mind’s Eye. If I or Fredrik wasn’t producing then we were all as Mind’s Eye producing
the records. The fact that I took on the wheel now just felt naturally for
the other guys as I have been producing a lot of albums lately and they
surely felt comfortable with me behind the console. I also produced
Andreas Novak’s solo album last year. After that I feel I had enough horse
power to take on a task such as Mind’s Eye.
I think to a certain point if
you don’t mix your own albums and learn the craft of producing, arranging
and mixing you are not doing your records yourself. You're always going to
depend on a another person to come and fill in with his knowledge or
practice, and that person is always going to have another point of view of
things and your music. It’s not until you mastered all these things that
you are starting to make your own music and style. It takes time to come
even near the big boys but when you are there it’s just the best thing. I
am still learning new stuff every day and probably will for the rest of my
life, but today with this new album I feel for the first time that I have
now taken one BIG steep closer to what I imagine myself being in the
future as a producer and engineer.
MM -
Are the band optimists or
pessimists? Is your glass half full or half empty?
Daniel:
Well, we can be both obviously. We are just like regular normal
people. Though I would say my glass is half empty when it comes to
knowledge and it will probably still be half empty no matter how much I
learn, but isn’t that what’s beautiful in life? Never to reach your
ultimate goal … The planet is a beautiful thing and despite of what you
read in my lyrics, you will always find a happy guy when talking to me. I
am currently enjoying my life as a drummer and producer. I also just
married and I’m enjoying that life a 100%.
MM -
Making a living
from music does not seem to be that 'easy' anymore as it was in the past.
How do you predict your future as a musician?
Daniel:
Don’t know really … I am just happy doing what I do. I would really
like to see my self doing some score music for film and TV in the future. It has been a dream of mine since I started to write music and I have
always enjoyed score music, especially when it’s written by John Williams
or Allan Silvestri.
I think it’s fair to say that I have a bright future in
front of me, depending on how I take care of my future. People who have
been in the business for a long time tell me that I hold the torch now and
what I do with it it’s my own decision. I think I can labour a lot of good
things out of my time left in this world and still have a happy life
beside all this music things.
The fact that it has
been getting harder and harder to make a living with music is just a great
fact, because it washes out the ones without talent and without the will to
work their butts off. You have to know that there is a big difference of
having talent and having discipline. I say I have some talent but with a
huge amount of discipline. If it’s the other way around then I think
laziness will take over as most talented people I know never get to do
anything with their life and talent.
MM -
There is a big
problem now of people copying and downloading albums instead of buying
them. If you had the chance to speak to a room of people who
copied/downloaded your music, what would you like to say to them?
Daniel: First
of all! Did you enjoy the music? Ok, here a copy, listen to the BIG
difference of the sound quality and then I would tell them a story of a
poor farmer coming from Chile/south America to another country/ Sweden. He
learned their unbelievable hard language and then he started to rot
himself in this awfully different culture. Then I would tell them all the
things he had to go through just to be able to do music and lastly I would
say: “Now, how would you react after going through all these things in your
life. To fight to write music and almost sell your soul to the devil, then
a snotty little kid like you just took away all what he had fought for,
would you feel ok?”
We all know what the answer that that will be.
MM -
I’d also like
to probe your conscience and ask have you ever copied or downloaded music?
Daniel: To be honest, I have actually tried
it just to see what kind of quality it was. I quickly stopped as it can’t
be compared to the actual thing. Though I still download 1 minute
“teasers” when I thinking of buying an a new album.
MM -
For you personally what bands do you think were the most influential from:
(a) the 70’s, (b) the 80’s, (c) the 90’s, and (d) today – apart from
Mind’s Eye of course!
Daniel: From the 70’s: ELO, Supertramp, Genesis, The
Beatles, Elvis
From the 80’s: Winger, Toto, Giant, Def Leppard, Queen
From the 90’s: Queensrÿche, Rush, Jellyfish, Yes, Fates
Warning
Today: Depeche Mode, Kip Winger, Linkin Park, Disturbed, John
Williams
MM -
Finally do you
have any words of wisdom for our readers out there?
Daniel: No words of wisdom here… I’m just going to be
really honest when I say this. If I could do it, ANYONE can do it! Practice hard and learn as much as you can from everyone. Take your time
to develop your skills, these things don’t work over one night. Progress
and teach others what you have learned.
Thank you for your great questions!
I had a great time. Please visit the Mind’s Eye website for further info
on what we do as a band and our sessions/projects.
WWW.ROUNDREC.COM
MM - We'd like to say a huge *Thank You* to
Daniel
for taking the time out to take part in this interview with us. The
Mayfair Mall crew would like to wish you and the band every success with
the new album. |