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Hailing from
Birmingham, England, Tony Mills is one of the most talented and respected
hard rock singers alive today. Known by many as the lead singer of
Siam and Shy, we catch up with the man himself to find out how life's
been treating him since he joined the mighty ranks of Norwegian rock
legends TNT.
MM -
Firstly I would
like to thank you for taking time out from what I’m sure is a busy
schedule to complete this interview, it’s much appreciated.
Tony - No problem !
MM - It’s been almost a year since you first
agreed to join TNT as their new lead singer. A move that at the time
caused quite a stir among their die-hard fans. Were you surprised at the
uproar it caused or were you half expecting it?
Tony - I was half expecting it. After 23 years
of having one singer, it's bound to cause dissention in the ranks and
understandably so, to have to find a replacement. And I felt an empathy
over the situation, as much as they were knocked about by Tony's leaving,
they also had the apprehension of who would take the job on. I think it's
taken the year to really to get to grips with that and run with it to the
point of the fans either accepting it or not, or compromising, as the case
may be. All I can say is, I've met a lot of great people and made a lot of
foreign friends and not just from Norway!
MM - Since then you have made a consistent and
concerted effort to allow the fans access to you via the forum and have
now won many of them over. How important is it to you and the band for
that matter, to be so fan orientated and accessible?
Tony - I've always been 'up for it' with fans,
and this situation was no different, although there were considerably more
of them than I realised. So I have been doing a lot of typing over the
last twelve months. TNT as a band don't really prioritise fan contact to a
general degree and I think they were glad to hand that over to me, simply
because they are better at doing other things. Consequently, it means more
to me, than it does to them and I suppose, in retrospect, it was
particularly important in this case that I did.
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MM - The release dates of the new TNT album
‘The New Territory’ are being staggered depending on which
‘territory’ (pardon the pun) your fans are based. What release information
can you confirm and how close are you to being
able to say who will be handling the European release? |
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Tony - I can't, today's date is 25 April and up
until today, we have had conversations with many labels and still haven't
settled. Even today I will be receiving an offer from a UK based label,
but whether or not we accept it is another matter. Asia and Scandinavia
are taken care of, and from what I can see, people are ordering it on the
net anyway. But we do need that Euro contract to strengthen promo etc. and
to make sure it's marketed properly here. |
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MM - The release of ‘The New Territory’ hails
the 25 year anniversary for TNT. Other than the new album, does the band
have plans to do anything else to celebrate this momentous achievement?
Tony - A new stage show is being built to take
out on the road, very much built around the album design. One video has
already been completed and another is in the pipeline. Many festivals have
been booked and more are to come. It will be a busy year.
MM - I believe the general release of the
album will include 13 tracks in total with the Japanese release featuring
a further 2 tracks. You’ve described the album as being quite a diverse
mix of songs, with something for everyone. Can you give us a little run
through some of the songs and any thoughts behind them?
Tony - The opening track, 'A Constitution' has
a very ethnic feel to it and rounded up by Tekro's killer riffing really
makes a great album and show opener. There are radio friendly tracks as
well as ballads as well as rockers on the record and the mix is just
right. A 40's swing track called 'June' is a real crooner of a track and
one of my favourites. But the uptempo 'Substitute' and 'Golden
Opportunity' are also such strong live tracks too. The moody and sad end
to the album, in 'Milestone River' was hailed as the finishing track the
moment it was written and belongs there utterly.
MM - Have you had a chance to ‘test run’ any of the songs in a live
environment yet? Tony - Not yet, two of the new tracks will be
played live next week on May 5 and then the new full show will be unveiled
at the Lillehammer festival on 26 May.
MM - Which of the new song(s) are you yourself
most looking forward to singing live? Tony - Probably 'Golden Opportunity', 'Are You
Blind?' and 'Substitute'.
MM - Any truth in the rumours
that the band will release a single from the new album? If so which song
has been chosen and why? Tony - I doubt it. If by 'single',
people really mean video, then yes there will be a video, which is already
in the pipeline, but I can't tell
you what song as yet.
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MM - With any new release there are always
pressures on any band, however, what pressures (if any!) do you and the
band feel with this particular release to prove to the fans that there is
indeed life after Tony Harnell? |
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Tony - I think it would be fair to say that the
album is what the fans really want. They haven't waited a long time for
it, we only started writing in October and here we are at May with a
release. They've seen 35 shows with a new singer but heard no product. I don't think they will be too displeased; I'm sure if there is any pressure,
then it is from the apprehension of the new album. |
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MM - You're seen as one of the best vocalists
around nowadays. What do you feel are your
strengths and your weaknesses vocally and have you ever had any vocal
coaching over the years? Tony - I was trained by an opera
teacher when I was 21, but only because I suffered all the time on the
road with laryngitis through strain and poor pacing through shows. That
taught me a lot, and how to get through long laborious recording sessions
with diaphragm control. I always struggle when I can't hear what I'm doing
on stage; this is traditionally because the band themselves are far too
loud for their own good to even make it worthwhile having a monitor
system, so in that scenario, the singer has got no chance.
I'm always
stronger when I have side fill monitors and I can pick up the ambience in
the room, but you shouldn't have to rely on that. A band should be
considerate towards each other and keep the volume of their instruments at
a reasonable level so other people have got a chance. I have to say at
this point, that Tekro is extremely considerate and winds his guitars up
very loud, and then makes me even louder !!
MM - You have a great
distinctive vocal sound that can travel through many moods, do you find
this helps when composing new songs? Tony - Without a doubt. But then
the style of the song also will only allow you to do certain things
without it just becoming some strange unlistenable thing. You need to
remember to use all capabilities of a voice from choir to scream, from
whisper to shout and from talking to crooning and so on. A voice can do so
much. It doesn't always have to sound the same, just changing the shape of
your face and mouth can give you a myriad of sounds.
MM - The band have already
released details of a number of large festival appearances over the coming
months in Norway. For all your fans based outside of Norway, are there
any plans to do any shows further afield? Tony - It really depends on the UK
signing. That would be instrumental in certainly UK bookings, but we are
also actively talking to other agents now we have spent a year together,
to move out of Norway into other regions of Europe.
MM - In March this year the band
filmed the video for ‘Harley Davidson’. What were the reasons behind this
particular song being chosen and was it a straight re-production of the
original song or more re-vamped and updated version?
Tony - The original lyrics were
used and it was really filmed to be used as a marketing tool for the
coming months, especially in the U.S. as they have a big Harley year.
MM - Last Summer there was talk
of TNT being involved in a rap version of ‘10,000 Lovers’. Did this go
ahead and what was the story behind that? Tony - It was really devised by a
TV station that were re-vamping old well known songs and placing them in
different styles. TNT were first up with 10,000 lovers. For some it was
fun, for some it was their worst possible nightmare. But the TV company
didn't do their homework and it wasn't released after all.
MM - There have also been
rumours of a TNT book/documentary being made on the band spanning its
whole career. What can you tell us about that?
Tony - Terje Singstad is rather an
amazing guy who trawls around after TNT with a veritable 'War and Peace'
under one arm and a CD recorder under the other. I have undergone
interviews with him and I have more to do. He has been compiling it since
the 80's I believe, and plans to complete it this year. A serious piece of
work.
MM - The publicity photo for the new album has caused quite a stir
among the fans with it’s strong visual
dress style. What were the thoughts
behind this and did the band actually have
any input into this? Tony - No-one but the band were
involved. We just wanted to portray the image of a bunch of guys fighting
their way into a new time and place in their lives, which is what we have
done.
'Quite a stir', you say? Good. |
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MM - You’ve worked with some of
the biggest names in rock over the years, is there any one person you’d
really love to work with but haven’t yet had the opportunity yet?
Tony - Maybe Bowie or Ian Hunter
again. I'd say Iggy Pop, but people would think I was completely off my
head. But, and I have to say in all honesty, Tekro is a remarkable
individual and one of the real highlights of my career. So talented and
truly gifted and very egotistical, and quite rightly so. Few people have
impressed me in 25 years as much as he.
MM - You seem like a musician
that constantly has to be busy, is this assumption correct? Do you ever
feel overworked, like you have too many projects going at the same time?
Tony - Not really. Music is a
passion and a life. You can't party all the time, you still gotta eat etc. I work with many and varied people
from folk to metal and in different capacities. For some they need backing
arrangements, for others they need a lead vocal, for many, they need
everything. There is only so much you can do, but I prioritise my workload
and TNT sits at the top.
MM - In addition to the new TNT
album, 2007 will also see the release of Dante Fox’s latest release ‘Under
The Seven Skies’ on which I believe you provided backing vocals. How did
you become involved in this? Tony - It's got somewhat of a
tradition really, Tim and Sue only live about 10 miles from me and I
worked on a lot of their material in the past. Great people and a bloody
good album. Their best, I think.
MM - Having been in the music business for some time now you must have
seen some radical changes over the years. Some good, some bad. What do
you think has been the biggest shake up over the years and what if
anything would you like to see change? Tony - The biggest change has been Internet, I don't think anyone could
deny that. But I know that is all for the good, I find it
irreplaceable. Regarding change, I would like to see the smaller labels stop ripping
musicians off and for a change, actually registering product properly with
the MCPS, making sure people get regular statements, have proper promotion
and marketing done on their new product instead of labels just pressing up
the risky 1000 copies in the hope they'll sell and then shelving the band
when they've sold their first press. That really pisses me off.
MM - What short phrase best describes the band
and it’s mood right now? Tony - 'Now We're Talking !!'
MM - What does the future hold for Tony Mills,
do you have any other projects in the pipeline that we haven’t spoken
about? Tony - I am fairly devoted to TNT and they have
me tied up for most of this year. But I will enjoy the release of Lasse
Dale's album 'Screaming For Silence' which I've been working on for the
last year.
MM - Finally is there anything you’d like to
add or any words of wisdom for your army of fans out there?
Tony - If TNT haven't reached you yet, we'll do
our best over the coming twelve months. Check out 'The New Territory',
it's been an experience to write and record, and it's very addictive to
listen to. Enjoy it and many thanks for your support over the years.
Cheers, Tone.
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