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Following
the release of his excellent solo album 'Pure', Chris Laney once again
comes up with the good with his new album 'Only Comes Out At
Night'. We catch up with Chris once again to find out more about
this latest release and he plans for the future.
MM
- Thank
you for taking the time out for the interview Chris, I know you’re a
very busy man at the moment.
Chris
-
No
problem, it's cool.
MM - Let
me also congratulate you on what is another superb album 'Only Come Out At Night'. Chris
- Thank
you, I really pleased with it.
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MM - I
thought 'Pure' was a good album but this one really goes that extra mile. Chris - Oh
thanks, I was really scared about this one. You know the second album is
always the one people wait for the most. I’ve been scared shitless.
Writing the first album people say ... you had your whole life to write that
album ... but that isn’t true because of the other bands and things
I’ve been involved with. This time around I wrote the songs I wanted
to write, whether this is right or wrong, but it feels good. |
MM - I think its turned out superbly to be honest. Chris - Yeh,
thank you again.
MM - As
I said earlier I thought the 'Pure' album was good but this one goes a lot
further. There's a lot of different styles on this album, you’ve
got the heavier stuff, some gentler tracks, something a little sleazy,
there really is something on it for everyone. Chris - I've
got my vinyl collection together on one album! (laughs) That’s always
been my goal. People nowadays don’t listen to albums like when I was
young, you could like an album then even if it didn’t have hits.
To me
it's all about the album vibe, if I can make an album with hits that would
be cool. A hit isn’t something that is played on the radio all the
time, a hit is a song that feels goods for me, or a song that feels good
for someone else. This album is full of songs that I like and I
don’t care if it sounds like a Def Leppard song or a Kiss song, or a Shotgun
Messiah song or whatever. To
me it's an album where I think ... do I like this? ... can I have a party with
this album? It's like, if I was to have a compilation album on back home in
the background at a party, an album that made you feel good, well that’s the
vibe I wanted to bring out with this album.
MM - Once again
there are a number of special guests on the album, how hard was it to get
these guys involved with the album? Were these just friends you called up? Chris
- To
begin with, this is a question I always get, why do you have so many
guest artists on the albums. It's like being a plumber and you need a
pipe fixed, you’d ring around your friends who are plumbers and ask
them. It's no deeper than that. That’s how 'Pure' came about, this time it
was different. I mean Ian
Haugland from Europe rang
me. We’d just been working on
his solo record together, I was the co-producer on that album, he rang me
up and said ... I hear you’ve got Robbo soloing on the new album, can I
play on it? ... that’s the way it works. We're just good friends helping
each other out and having a good time.
MM - It
also well reflects on you, if someone says .. hey can I play on your new album? ... Chris
- Yes it's cool. I’m flattered but after they played the solo we are still
friends. It's like if your decorating and a friend comes round and offers
to help you’d say yes. To get back to why I have so many guests, I’m
a band guy to begin with. This is my second solo album in two
years. I
do not enjoy making music by myself, I love to have other people around
me. I love to get different input and views of how things could be, and
should be done, and for me the song is king and if someone comes in and
changes one note and that note makes that song better then ok.
MM - Yes
also if Conny Bloom comes along and asks ... can I play on your album?
... you're
not going to say no are you ... how did that come about? Chris - We wrote a pop song together for a Swedish artist. It was way
beyond what we do normally, we had so much fun doing that. We actually
realized that we'd met five years earlier when our kids were in dance
school. I didn’t know he was Conny and he didn’t realize is was me at the
time writing this song together. I told him that we’d actually had
coffee at his house and he said ... now I remember you, you used to
have hair! ... (laughs). Stockholm is such a small place and there are so
many musicians it just a good vibe.
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MM - Did
you do anything different this time round with the whole songwriting and
recording process? Chris - Yes
absolutely, my first goal was to make the sequel to ‘Pure’. I really
don’t enjoy bands that change their sound or styles from album to
album. If I buy an AC./ DC album I want it to sound like AC/DC you know,
I don’t want it to sound like Iron Maiden.
What I wanted was to combine two albums and say where I’m at now.
I’m a
little bit more into rock, I've been listening to a lot more KISS and Cheap
Trick than I had over the past few years. They were always well produced
albums.
The main difference is that I wanted to
sound more like a band, rather than some of
the over produced stuff you often hear. I wanted to make a rock album
the way it should be and if there is a mistake in there, fine, as long as
it makes the next one better. You don’t need it too polished, you
always need the beauty and the beast thing. That’s been the biggest difference with this
album, I wanted keep that vibe that we're playing and having fun.
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MM - I
noticed the albums release date has been put back, has this affected your
show at Stockholm Rock Out? Chris - A
lot of things had an effect on the Stockholm Rock Out, the fact that the volcano
erupting has meant that the whole festival has now been put back till
September.
MM - You're
still doing the special Volcano day as it is now on the original day? Chris - Yes,
when I found out how much the promoter had put into the original
festival ... I mean this was my kind of dream festival ... so I actually
called my manager and said ... “hey I actually know most of the bands here
from Sweden, let me call them up and see what I can do, this guys needs
to have something so the audience doesn’t go crazy and
hysterical". So
we’re all playing for free. I’m still having my release party with
XYZ, they're playing an acoustic set for the release party as well as
playing the festival. We're all doing this to keep Stockholm Rock Out
alive.
It's
good to see all these musicians from Sweden getting together for this
guy. I mean he’s a musician too, he’s in a band called Bad Mouth.
He’s put all this money into this festival because it’s his dream
festival too and because of a volcano he could have been facing
bankruptcy. So I said ... Hey let's help him out ... I think it’s a good
thing.
MM
- The
Chris Laney band, who will be in the line up for that show?
Chris
- Rob
Love on guitar, he used to play with me in Zan Clan, it's John Berg on
guitar, George Egg on drums and I have a new bass player called Mat.
He’s a great bass player, I’ve known
him for years but I didn’t know he played the bass. When I was looking
around for a bass player people said ... hey why don’t you try Mat?
... He’s
in a band called Scar and it was like yeh!
He opened up for Animal, when
I was with Randy Pipers Animal. We did five shows with them and he was
always back stage drinking beer. I never saw them play live! (laughs)
I
didn’t know he played the bass, but now we're best friends so it’s
going to be awesome. He’s the same age as me, whereas the rest of the guys are
about twenty. They're all amazing musicians.
This
last leg of the tour will be the last with George because he’s got the
role of the drummer in the Queen musical that’s being put on here in
Stockholm, so we're looking for a new drummer at the moment.
MM - I
know the release date has been delayed but will the album be available it the
release party? Chris - Absolutely,
we actually got 300 copies from the record company. They are release
party special editions that will be slightly different than the original
album, so they are kind of collectors editions.
MM - I believe the reason that the album's release date has been put back
was because the pressing company made a
mistake the whole first batch they put the wrong music on them? Chris - Yes,
the promo copy was the same, it only had eight tracks on it instead of
eleven. There were only eight tracks on it and the three keys songs on the album were
missing. I
spoke to the president of the record company and said ... “hey Georg,
WHAT’S UP?” ... he said ... "I’ve been involved with albums for over fifteen
years and I’ve never had an album this jinxed” ... So something good
must happen after all this because I’m going crazy.
The promo that’s
going out to the radio stations doesn’t have the actual singles on it,
every one of those eight track songs has a fade in it, the idea was to
have those three songs as the high resolution ones for radio play.
Someone had actually reviewed the album with just those eight songs,
that’s not a good thing, my album is going out to the media either
with three tracks missing or someone else on them, it's hilarious! (laughs).
MM - I
got the promo through with just the eight tracks on it but the PR
company who sent me the album quickly got me the digital link to download
the whole album with all the tracks on, because I didn’t want to do a half hearted review of
half an album. Chris - I’ve
seen reviews of eight tracks. Why did they review half an album? I mean
why?
MM - Yeh,
even if they just did those original eight tracks and then downloaded the other three later
on, they could have added them to the review. Just doing eight songs
doesn’t do the album any favors for you as and artist.
Chris - I
was totally shocked when I heard the news, then all this with the volcano
happened and the festival was put back ... something good has to come out
of all this, I laid my soul and my time out for this album and things
turn out like this.
MM - You
were involved with the Crazy Lixx guys again on their new album 'New
Religion', what was it like working with these guys again? Chris
- It
was great to work with them again. The first time around was
awesome. I
found this band or they found me and we hit it off right away and we
did a good album. Then they called me up a few years later and now all
the boundaries are gone. This time I think we kicked the living shit
out the first album, because we got away from all the boundaries and we
just sat down and focused on the songs and how we wanted it to be.
We
actually worked on it 24/7. I’m not kidding when I say we worked 24/7, I
actually had my wife bring the kids to the studio on weekends so they
could see their dad! They were actually sitting in the lounge of the
studio watching TV till they fell asleep and then she took a taxi back home
with them. Then I would get back to work again.
That album is one where
I can say I was near to hitting the wall. That album was quite
hard
because the band was working so hard. They had a new record label, they
had a new guitarist, we knew it was going to be really, really hard work to get the
album the way we wanted it. It was a hassle when you have that thing on
your shoulders where we have to make it bigger, we had to make it better
than the last one.
At one point I called up the
singer, while I was
mixing the album, because they weren’t there when I was mixing it.
I
hate people being around when I’m mixing an album. I called up
Danny and he said he wanted the vocals louder and I said the can was full, we'd need to back down on stuff to make the vocals louder, but we
got there. I think that
that is an awesome album, we did everything, all the tricks in the book.
I pushed the band to the limit and they pushed me to the limit also.
That is like a team album.
MM - Yes,
I really enjoyed the album but yours just pipped them for album of the
month! Chris - Really? I must tell Danny that! (laughs)
MM - Yeh it's what I like to call a great old school rock album. The new Crash Diet
album also has that same vibe going on. Chris - I
haven’t heard the whole album one yet. You know I did the demo’s for
that album, two tracks that didn’t make the album. I think it
was a track
called 'Parasite’, that was the single in my opinion. I think that’s why I
didn’t get the job! (laughs) For me that was Crash Diet X1000
if you know
what I mean. The other song was a song called 'Chemical', I don’t
think that made the album either.
We've
been through a lot with Dave and things, but the record company did
think I was the guy for the album. For me those guys are like my younger
brothers. We been through a lot, both weddings and funerals and I wish them all the
luck. The new singer is great, this is the first time they’ve got a
real singer.
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MM
- There
has been a resurgence in the Swedish Hard Rock scene lately, as in
insider what has Sweden got to offer new bands at the moment?
Chris -
We're
only nine million people and half the time it’s dark and it’s cold
as fuck here. What do you do, you go down to a hot sweaty rehearsal room
and wipe out. I think that’s the answer, there isn’t much to do in
Sweden. People might call us in this genre " the new LA" but the truth is,
we don’t have much to do and music is big here, it’s been around for
a hundred years.
I can remember my Granddad making me play the accordion
and stuff, because at all the parties people were singing and playing and
drinking a lot of alcohol. It was like the LA scene in that way. I actually think
that it's because we work at it, and we’re from this dark and cold
place and we’re stuck here. I mean I can get ten or twenty demos from
Swedish bands in the same genre, that’s how many bands they are here.
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MM - I
think you're more focused as a people. Chris - Like
I said, we’re only nine million people and there isn’t much to do, so
we focus on one thing and we're good at that. We do have good sports
men as well, but I think that’s it. When I meet up with new bands I’d
asked them what they did last week and they’d say we rehearsed.
While
other bands are out partying and drinking beer, they would be rehearsing.
Yes they’d also drink beer, but they’d do it while rehearsing.
MM - I
think also we in the UK and the US are more swayed by what’s trendy
and what will make money, rather than the talent that’s around. Chris - Sweden
was one of the countries that were hit hardest with the download thing,
because we were one of the first to have high speed Internet. Because
we're
Sweden and we want to have the best because we are such a small nation.
And of course the record sales just disappeared here and in the same
breath people that that happened to, people were saying, I’m just gonna
play my music because we don’t sell records anyway. I think that has
something to do with it as well.
I
used to work as a song writer and that’s how I made the money to
actually be able to buy my first studio. Nowadays I’m talking to the guys who
write for Brittany Spears and those people and they’re starting to
worry as well because that’s the way things are going. I’m
saying ... hey
that’s how it been for me all my life so deal with it!
If
you're into
rock music you have to deal with the situation that you're not popular on
radio and TV. We used to rely on sales of albums but now we have to rely
on playing live and people buying shit loads of merchandise. The CD
has now become part of that merchandise and I’m ok with that.
MM - The
labels are not taking advantage of giving bands CD's to sell while they
are on tour because they think that the bands are taking money away from
them. Chris - It’s
the thing of the bands and the parasite, but now the big labels need the
bands, and now they are being parasites with what is known as a 360 deal.
A 360 deal is where the record companies do a deal to make
profits from the live concerts and also the merchandise, why,
because they aren’t making money from CD sales.
I say fuck
them. If you're in a band then get a decent deal with a small label that believes in
you. Get your music out there, go on tour, make the money for a new
album. Build yourself a fan base. A fan base will always be
around. If
you like something whether it be chewing gum, or hamburgers, or music, if
you like it you’ll always go back to what you like.
They say people will always steal music, but the young people don’t
know that you actually need to buy music. OK if that’s the deal let
them have it for free, but someone has to step in to provide the money,
whether it's Jack Daniels or Volvo or whoever, I don’t care as long as I
get the money to make an album that sounds good. But I don’t need to
make it back home in my cellar. It's all about how you look at it, I’m
just glad my CD went to CD, I didn’t expect it to go gold I just wanted
the hard sleeve you know.
MM - You
just wanted the CD in front of you to say ... hey this I mine! Chris
- Yeh
it’s closer. I can now put that CD on myself and move on with the next
one. But if you don’t have that and it's released over the net, it's
... hey
I’ve released an album but I’ve never seen it. I was raised on
having an album in my hand.
MM - You're
like me, I like to have the hard copy in my hand. I like to read the
sleeve notes, I like to know who was involved with the album. Chris - If
I’m gonna spend ten bucks on music I’m not gonna spend it on
something like iTunes, I'd get a bad mp3 back. I want something that’s
high resolution. I love to read the lyrics and who did what.
I’m a
nerd, I’m always gonna be a nerd.
Yes,
CD's might be dead but I read this thing where a band went over to
magazines. They sell this 100-page magazine with a CD. So
they don’t sell CD’s. That’s great. I would love KISS to sell a 100-page
magazine with the new CD, I’d pay ten bucks for that.
MM - You
need to have that something extra, it's all too easy for someone to make
an album in their bedroom, and just because you have an album out,
doesn’t mean it’s a good album. Chris - As a
producer 90% of the albums I hear suck quality wise. They have good
songs on them, but come on, people have an over-belief of what you can do at
home. It really pisses me off, when they say things like your next-door
neighbour couldn’t tell the difference. No not right away, they might
listen to it twice, but a good album that’s good on your ears, it’s
mechanical, it's human, you’ll listen to it over and over again.
I was
like when I got my first bootleg copy of Rambo of VHS from Korea or
whatever, it was flashing red then blue then in black and white. I watched
it one time. Now I have the proper DVD I can watch it ten times.
MM - If
the quality is there the people will respond to that quality. Chris - It’s
getting harder and harder to find quality. Take my profession, Terrion
for instance are making an album they believe in. They don’t want to
cut corners. They blew their production costs three weeks ago and they
are still pouring in money on an album THEY want to make, and I respect
them, because that’s when you're an artist and you believe in what your
doing.
As Chris Laney the solo artist I’m the same, I’m making an
album I want to make. The record company didn’t hear one song before I
gave them the master, they believe in me and that’s what I love about
Metal Heaven. I spoke to Georg and he asked how it was going and I’d
say it was
going great. He'd say he couldn't wait to hear it and that his
response. I
have total control over what I have to do. The only reason I called
him
was because my contract says that I have to produce an album of 45
minutes of music. I can't do that, I can only write songs around three
minutes long and it would take a lot of songs to fill 45 minutes.
So I
recorded two more songs, but they weren’t good enough. So I rang Georg
and said ... "Hey seriously, if you want 45 minutes we're gonna get bad
reviews. I’ve done two more songs if you want them, but honestly please let me
have my twelve songs" ... and he said “OK’. So that’s the only time we
spoke, but I really admire his faith in the artists he’s signed.
I’m
very lucky.
MM - I’ve
never spoken to Georg but everyone I’ve spoken too really has a lot of
good words to say about him. Chris - Yes,
he’s a music lover; he’s a really cool dude. He wants to release
albums he wants to listen to.
MM - The
albums release date has been moved back to 7th May now, has this made any
difference to your plans? Chris - Not really. It's gonna be out May 7th, it might be early we don’t
know. We're going to play the release party on 1st May, then
we're out playing City Of Rock. We’ve got dates lined up until 7th
June in Sweden. I’ve
had people calling asking ... when are you coming to our country? ... and
I say ... book us and we’ll come! I need to get out of the studio and on the
road.
MM - I’d
love to hear both albums live, they deserve to be played live. Chris - We
do about twelve songs in a set.
MM - People
want to hear their favourite album live, that’s what music is all
about. Chris - It's
so cool to play the songs live as well. Because I work in the studio, I
mean 350 days of the year, that’s what I do, I make albums, so when I
get to play live it’s a totally different experience, it feels so
good. That’s
when Chris Laney comes alive, literally.
For
me and the band, we want to play live so bad. We just discussed this,
we
thought let's just buy plane tickets and buy our merchandise so we can
play. This time is different to with the first album, I was a bit insecure
about playing on my own and had never done anything like it
before. But this time my
kids are big enough to understand why their dad's away and I spoke to my boss
at Polar Studios and he said .. “go for it man”. The timing is
right now and we’re are going to make it happen.
MM - Well
Chris it’s been a pleasure once again to talk to you. Chris - It’s
been a pleasure for me also.
MM - I wish you all the best with the album, I know it’s gonna go down
well. Good luck with the release party and the Volcano special, and I hope to
see you in the UK very soon.
Chris - Thank
you.
MM
- We'd like to thank Chris for taking the time out to chat with us
tonight and look forward to seeing him and the band live in action,
hopefully in the not too distant future. If you haven't already
heard the new album 'Only Comes Out At Night' then do check it out, we
didn't choose it as our 'Editors Choice' for nothing!
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