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Artist: Power Quest Date: 27 November 2011 |
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It is with great pleasure and pride that we are able to bring you the very first interview with the new lead singer of Power Quest Colin Callanan, together with the founding member and main man himself, Mr. Steve Williams. MM
- How are you guys doing today. MM - Here
we are with a bright new chapter to Power Quest and a new lead
singer. MM
- I know you've been a fan of the band for a long time now Colin, but how did you actually come to being the new lead singer of
the band? SW - We took a different approach this time around as to how we'd done it in the past, when we were looking for the new lead singer. This time around we took the YouTube / Journey approach, to see if we could find potential candidates for the position. In the end we had around 7 or 8 guys that we whittled down to about 3 or 4, who we then brought over for an audition. I think Colin was one of the last auditionee's. It was very reminiscent of when Gavin auditioned for the band, we got that feeling within about 30 seconds that this was something really good. It just felt right. We had a guy over from Switzerland try out and a couple of younger guys from the UK, all of those good singers, but it's as much about the actual voice and how it blends with the other voices and the music. I think we always knew that Colin's voice would suit Power Quest. The fact that he already knew all the songs as well was just an added bonus. He came over and slotted in immediately, not just musically and I go to pains to emphasise this, but it's actually 50% about the music and then 50% about do we actually get on as people. Colin and I have a lot of things in common other than music, but we're both IT guys when it comes to work. We both know what it means to do a proper job and also what doing a high pressured job is all about. So we understand each other on that level as well. That just helps, it's nothing to do with the music, but you understand each other's head space and what makes you both tick. It's been brilliant. When Colin auditioned and when we did the rehearsals yesterday, Colin did a storming job. Everybody's smiling and that's what I want to see.
MM
- Yes, that's one of the things we first noticed when we first got
into Power Quest all those years ago. The band came out after the
show and hung out chatting to us well into the early hours of the
morning. You knew the band were working hard to get where they
were and you could feel the passion and commitment to the band and the
music when you talked to them. It had a family feel to it where
everyone cared about each other and what they were doing. MM
- I would imagine during those difficult times more recently, the
community of fans, that extended family of people behind you and
believing in you, must have given you the strength to carry on. I
don't think you would have ever thought of the fans as just being fans
and not listened to what they had to say. MM
- Even now when I listen to the very early albums, they still stand the
test of time and when certain songs come on you feel like ... Ah yes! I
remember the band playing this live and everyone was singing along to it,
you remember what the atmosphere at the gig was like and everything. That's something you
(Colin) are also going to feel a part of as you move forward as the new
singer of the band. You're going to remember when the crowd went wild at
different bits of the show. SW - It's all part of that thing where people say Metal should be evil and horrible and tough and grim. The singer should be groaning and looking like he's half dead, but it seems as soon as you start smiling, suddenly everyone thinks you're gay! (laughs). What are we all, 12 years old?!? (laughs). You're right, we want our music to be uplifting and if someone's had a crap week and they come along to one of our shows, hopefully that could be the turning point in their week and they'll come back and see us again next time. The whole chatting with the fans after the show, or even before the show, it's such an essential part of it. I've had people in the band over the years who didn't like that aspect of things. Well sorry but you're in the wrong band mate. We don't do ego's or you need your quiet time to pray to whatever, these people have traveled and paid their money to see you play, the least you can do is come out and have a conversation with them. It's funny because I went to see the Freedom Call gig last week in London and I hardly saw any of it. Most of the time it was people coming up to me and asking if I was Steve from Power Quest, and it was conversation after conversation. That's great, what more can you ask for really? It fires me up for all the right reasons. MM
- You've actually ended up with a more UK based band, I'm not sure if
that was ever your deliberate intention in the longer term or not? MM
- You (Colin) do realise you're going to have to stay with the band now
because if you don't then we'll have to beat you up! (laughs).
Every tour we've done since that record came out, I've financed. I've had no label input, I haven't got some sugar-daddy sponsor writing cheques for me like some of the other bands out there have. It's all me. How do I do all that? I work bloody hard in my day job and I have guys who commit to travelling to things and they pay their own costs. They pay their own way. They don't come and say Steve ... can you pay for my dinner, can you pay for this, can you pay for that ... they want to do it as much as I want to do it and they see how much I'm sacrificing and they think, OK, a tank of petrol isn't a big thing in the grand scheme of things. The record industry is changing and changing by the day almost, and people need to understand that record labels calculate tour support funding on CD sales. We're selling less records now than we did when we released 'Neverworld', but more people seem to have the record. Therein lies the catch 22. You have people who say they downloaded the record and that they didn't pay for it, but then say they'll come and see us if we come out and play. But it's like ... Yeh, but mate, you're in Chicago, based on what I've just said, how am I supposed to finance the band to get them to Chicago to play? Plus if you're going to go all the way to Chicago, then you might as well stay there for a bit and the cost of touring out there is astronomical. So I pose the question again. So, you've stolen my work and yet you expect me to finance a trip myself across the world to play for what, 50 people? How does that make any sense? In any other walk of life in business that would be shot before it even got out the box. Much as I don't like to think of it that way, you have to think of it that way, and people have to understand that if this carries on, bands like us are going to disappear. Not because we want to, but because we can't afford to stay around. The problem is also the internet is a marvelous tool, but it's also amazing at distorting how big something is. People think, so you've got a fancy website, you've got five records out, you've toured round Europe, oh you must be making loads of money. What a daft assumption! Anyone who doesn't believe me come and see me and I will show you the accounts that state exactly what I'm talking about. Take for instance the tour with Angra, that cost us £15 grand. Where did the £15 grand come from? The band and they're still paying for that 5 years on. That's just a snapshot of it really. It's an unbelievable struggle in some respects, certainly the financial side of it is, the artistic side of it isn't because that all comes naturally. But it is difficult, times are hard, you go out on tour and people haven't got the money to buy merch like they used to do. It's very difficult and we've been talking quite recently about what the answer might be. I don't think there is a categoric answer, but maybe the answer lies in, unless you're signed to a big record company like Roadrunner or bigger, is there any real value in being a signed band any more? Personally I think the answer's no. CC - This is something we have been discussing a lot. Just how important is it for us to be signed to a record label really in these difficult times. Things are changing so fast that we need to look at other ways of spreading the word. SW - We've discussed a number of different business models and alternative ways of doing things, which I don't like because I'm old school and I like a physical product, but the problem is you can't sell things to people if that isn't what they want to buy. Maybe they want to buy downloads as opposed to a physical copy. I know there will always be a small minority that are going to want the physical product, but I think that percentage is going to go down as time goes on. So you need to factor in how things are going forward, not just thinking short-term, but mid-term as well. Where are we going to be in say 5 years, or even 10 years time? It's difficult and it does beg the question ... well why should I make a record? Why should I in affect put myself in debt and let everyone have it for nothing? Therein lies another issue in that I think music to some of the youngest these days is a free commodity, it's not something they think they should go out and buy. I think once you've gone down that road you can't turn back and make something chargeable that has been free. Who knows what the ultimate future will be on that side of things but it's of a big concern for me. MM - I think one of the problems we face now is it's difficult to make money from an album. But it costs money to make that album, regardless of whether you make it available to sell as a physical copy or as a download. If people take that for free and think they think they'll justify it by coming out to see you if you tour, well you still need that money behind you to finance the tour, whether that be as a headliner or a support band. Even tours with "little bands" cost a fortune to buy on to these days, they're asking silly money. Fans have to realise if they want the music, then they have to invest in it because otherwise they're just going to loose it.
MM
- Well not only that, but Colin needs to find his feet. He needs to find
what direction he's happy to go in and you need to fully understand what
he's capable of. CC - Before I joined Power Quest I was already writing all my own songs for my other band Karuna. I actually sent the songs to Steve when I did the album and he gave me some excellent feedback. He said it wasn't that far away from the material they do with Power Quest, although there are obvious differences between the two. I think sometimes there are ideas for things that come to me but that perhaps wouldn't be right for Karuna, so who knows, they might be more suitable for Power Quest. I have a similar writing style to Steve in that it's melodic and uplifting. I'm really excited to see how the fusion of the two turns out. MM
- Will you keep going with your other band Karuna now you're in Power
Quest? MM
- Did you ever have the opportunity to see Power Quest play live before
you joined the band? MM
- Vocally, how would you compare your vocal style to the other Power
Quest singers that have gone before? SW - That's something I've said to all the guys, yes that's what has gone on before, but whoever has moved on now and you have to make the song your own now. Don't feel you have to copy what they did. The songs are all yours now. MM
- Well this is the band's 10th anniversary and this is the turning point,
a brand new decade and a bright new future for the
band. CC - Yes, it's one of my favourite songs. SW - I don't think we've played that song live for maybe five or six years.
MM
- The band have a couple of festivals lined up already for next year,
one just into the New Year. Something that the Bloodstock experience and festivals like that, that we've done over the years have taught me, is that this band is made for those kind of events. I think we really have the ability to convert people, who may have just casually wandered in to see what we're all about. That's where the catchy, uplifting, hooky bit comes in to it. So many people have got into the band that way, totally by accident, because they've heard something and come along to see what we are about. On the whole it's been a very positive experience, the whole festival thing for us. MM
- Can I make a couple of suggestions for you for merchandise further
down the line. Can we have some hoodies with just the Power Quest
logo on them but no tour date info on them? MM
- The only other merch related suggestion I would have, would be
messenger bags. Kamelot have done them before and they were really
popular. I think a lot more blokes are wearing "man
bags" these days. Again just with the logo on and no dates,
that way they don't date and both men and women can have them. Also
all
ages can use them now and it's a great way to advertise the band.
Although I know it'd be nice, but it all comes down to money in the
end. MM
- Have you managed to have many rehearsals all together? Colin, how
are you finding the flying over?
SW - Again I think that shows the type of commitment that all the members of the band have towards the band and the music. They are all prepared to get in their cars and drive, or get on a plane, or catch an early bus. They do what they need to do to get there. You can't ask any more than that can you? MM
- I know it's nice to be able to pay the bills, but at the end of the day
it has to be the love, that passion, for what you're doing. It can't just be
a transaction, because there's a lot easier ways of making money than
being in a band.
MM
- Is there anything we've omitted to ask that you'd like to add?
We'd like to thank Steve and Colin for taking the time out before Colin's debut live performance with Power Quest at The Snooty Fox in Wakefield. Having witnessed the show that followed shortly afterwards, we are very happy to announce that Colin gets a big thumbs up from all at The Mayfair Mall Zine. We look forward to seeing him and the band again in the near future. |
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All content copyright of The Mayfair Mall Zine unless otherwise stated. |